It’s a big move to discard their commitment to using their own ‘Eithersound’ system on this new product.
New for Yamaha, the system uses the Australian developed Dante digital audio network as standard for passing audio in and out of the system, with remote stage boxes and other devices connected via Cat5 cables. It’s a very powerful package, combining technologies from many of the leading players in the professional audio world with Yamaha’s own wealth of leading technologies and manufacturing. The all new CL series fits in somewhere between the PM5D and the M7CL, and depending on what configuration is purchased, it can far exceed the capability and functionality of both machines. This is a complete audio interface and mixing system that allows for the full range of audio-related input, control, manipulation, storage, output and distribution of audio signals required for current live sound systems.
The Yamaha PM5D large format mixing console has been the industry standard for many years along with the smaller M7CL, LS9 and 01V live mixers and the O2R and DM series studio consoles. It has since offered the pro audio world a vast array of popular digital mixing consoles.
Over 25 years ago Yamaha became one of the pioneers of digital audio, with the DMP7 being its first digital mixer. Power user Trevor Cronin gets into the nitty gritty details that make the CL a huge step forward. Yamaha’s CL series sounds better than any digital Yamaha before it, and is let off the leash by Australia’s own Dante networking.
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